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The Cape Malay Quarter in South African painting
Dissertation (MA)--University of Pretoria, 1970.
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| Format: | Thesis |
| Language: | English |
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University of Pretoria
2017
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| _version_ | 1867613658641596416 |
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| access_status_str | Open Access |
| author2 | Nilant, F.G.E. (Felix Gottlieb Ernst) |
| author_browse | Nilant, F.G.E. (Felix Gottlieb Ernst) |
| author_facet | Nilant, F.G.E. (Felix Gottlieb Ernst) |
| collection | Thesis |
| dc_rights_str_mv | © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | Dissertation (MA)--University of Pretoria, 1970. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/59637 |
| institution | University of Pretoria (South Africa) |
| language | English |
| last_indexed | 2026-06-10T12:39:39.216Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2017 |
| publishDateRange | 2017 |
| publishDateSort | 2017 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/59637 The Cape Malay Quarter in South African painting Nilant, F.G.E. (Felix Gottlieb Ernst) Frost, A. UCTD Dissertation (MA)--University of Pretoria, 1970. Naude as painter is influenced by the Dutch Impressionists of the Hague School. He stresses the essential characteristics of the Malay Quarter namely, poverty, colourfulness and intimacy. His style displays immediacy and vitality due to his swift, sure brush strokes and strong contrasting light and shade. Ruth Prowse's paintings of the Malay Quarter stress the dignity and harmonious co-existence of the malays. She is also a realist but her technique is bolder in comparison with that of Nita Spilhaus. Caldecott is influenced by French Impressionism. He depicts the Quarter as overcrowded and poverty-stricken. He uses mauves, blue and black in his shadows which have subdued reflections of sunlight from nearby objects. And there is no loss of form. Boonzaier as realist, depicts forms clearly in a steady light suggesting that time passes slowly. Colour over a dark background creates black outlines round forms, resulting in a decorative linear design where warm, subdued colour and quiet brush strokes are present. Wenning, affected by the Dutch Impressionists of the Hague School, expresses a fleeting moment of time in hasty brush movements. Like Boonzaier he chooses a darkened canvas and soft, warm colour. Wenning's power of suggestion makes his work more impressive than that of Boonzaier. Visual Arts MA Unrestricted 2017-04-03T13:00:24Z 2017-04-03T13:00:24Z 1970 1970 Dissertation Frost, A 1970, The Cape Malay Quarter in South African painting, MA Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/59637> http://hdl.handle.net/2263/59637 en © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria |
| spellingShingle | UCTD The Cape Malay Quarter in South African painting |
| title | The Cape Malay Quarter in South African painting |
| title_full | The Cape Malay Quarter in South African painting |
| title_fullStr | The Cape Malay Quarter in South African painting |
| title_full_unstemmed | The Cape Malay Quarter in South African painting |
| title_short | The Cape Malay Quarter in South African painting |
| title_sort | cape malay quarter in south african painting |
| topic | UCTD |
| url | http://hdl.handle.net/2263/59637 |