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Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018)
Dissertation (MA (Drama))--University of Pretoria, 2023.
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| Format: | Thesis |
| Language: | English |
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University of Pretoria
2023
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| _version_ | 1867613528014192640 |
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| access_status_str | Open Access |
| author2 | Hees, Dené |
| author_browse | Hees, Dené |
| author_facet | Hees, Dené |
| collection | Thesis |
| dc_rights_str_mv | © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | Dissertation (MA (Drama))--University of Pretoria, 2023. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/91472 |
| institution | University of Pretoria (South Africa) |
| language | English |
| last_indexed | 2026-06-10T12:37:34.574Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/91472 Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018) Hees, Dené francois.haasbroek7@gmail.com Haasbroek, Francois UCTD Intertextuality Afrikaner identity Cultural identity Cultural memory Johnny is nie dood nie Voëlvry movement Direct address Tableaux vivant Film music Dissertation (MA (Drama))--University of Pretoria, 2023. The research study focuses on configurations of filmic intertextuality in Christiaan Lugones’s feature films Johnny is nie dood nie (2017) and Kanarie (2018), and examines how they enable audiences of the films to reflect on an Afrikaner cultural identity. In this pursuit, the study examines the concept of a cultural identity by considering it as informed through socio-anthropological processes of cultural memory. The study describes cultural memory as operating within a network of culturally significant texts, which a community uses to recall and stabilise their cultural identity. Consequently, the study is able to describe intertextuality as a process through which texts interact within a cultural memory and inform a cultural identity. By establishing cultural memory as the functional link between intertextuality and cultural identity, the study creates a conceptual framework with which to describe the filmic intertextuality that Christiaan Olwagen uses in his films Johnny is nie dood nie and Kanarie. The study then applies this conceptual framework for intertextuality in a textual analysis of Johnny is nie dood nie and Kanarie, with a specific focus on scenes that utilise the formal filmic techniques of tableaux vivant compositions, filmic music, and direct address as techniques of intertextuality. Informed by the textual analysis of the films, the study then illustrates how Olwagen uses intertextuality to draw from a cultural memory of apartheid and thus reflect on the evolution of an Afrikaner cultural identity. Drama MA (Drama) Unrestricted 2023-07-17T07:03:39Z 2023-07-17T07:03:39Z 2023 2023 Dissertation * http://hdl.handle.net/2263/91472 10.25403/UPresearchdata.23686422 en © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria |
| spellingShingle | UCTD Intertextuality Afrikaner identity Cultural identity Cultural memory Johnny is nie dood nie Voëlvry movement Direct address Tableaux vivant Film music Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018) |
| title | Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018) |
| title_full | Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018) |
| title_fullStr | Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018) |
| title_full_unstemmed | Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018) |
| title_short | Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018) |
| title_sort | hierdie woorde en sinne het ek iewers geerf reflecting on afrikaner identity through intertextuality in johnny is nie dood nie olwagen 2017 and kanarie olwagen 2018 |
| topic | UCTD Intertextuality Afrikaner identity Cultural identity Cultural memory Johnny is nie dood nie Voëlvry movement Direct address Tableaux vivant Film music |
| url | http://hdl.handle.net/2263/91472 |