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Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa.
Thesis MA (VA)--Stellenbosch University, 2022.
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| Other Authors: | |
| Format: | Thesis |
| Language: | en_ZA |
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Stellenbosch : Stellenbosch University
2022
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| _version_ | 1867613790830329856 |
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| access_status_str | Open Access |
| author | Deaney, Rushda |
| author2 | Huigen-Conradie, Stephane E. |
| author_browse | Deaney, Rushda Huigen-Conradie, Stephane E. |
| author_facet | Huigen-Conradie, Stephane E. Deaney, Rushda |
| author_sort | Deaney, Rushda |
| collection | Thesis |
| dc_rights_str_mv | Stellenbosch University |
| description | Thesis MA (VA)--Stellenbosch University, 2022. |
| format | Thesis |
| id | oai:scholar.sun.ac.za:10019.1/124757 |
| institution | Stellenbosch University (South Africa) |
| language | en_ZA |
| last_indexed | 2026-06-10T12:41:45.229Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Stellenbosch : Stellenbosch University |
| publisherStr | Stellenbosch : Stellenbosch University |
| record_format | dspace |
| source_str | SUNScholar — Stellenbosch University Repository |
| spelling | oai:scholar.sun.ac.za:10019.1/124757 Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa. Deaney, Rushda Huigen-Conradie, Stephane E. Van Robbroeck, Lize Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Visual Arts. Muslim women -- Race identity Group identity Intersexuality -- South Africa Self knowledge, theory of Art -- Study and teaching -- South Africa Christianity -- Study and teaching -- South Africa UCTD Thesis MA (VA)--Stellenbosch University, 2022. ENGLISH ABSTRACT: This thesis investigates processing the sociocultural complexities of being a South African Muslim woman, both locally and globally. The labyrinth of being a Muslim woman lends itself to questioning my Muslim identity in relation to the Middle East, and as a South African Muslim woman, how themes like gender, materiality, intertextuality, and my personal experiences influence my art practice. In my thesis, I use auto ethnography as a self-reflexive research method in the form of journal entries to motivate my artwork. These personal narratives inform a practice-led material inquiry into ritual and heirloom objects for me to better understand my faith. AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die verwerking van die sosiokulturele kompleksiteite van 'n Suid-Afrikaanse Moslem-vrou, plaaslik en wereldwyd. Die veelvlakkigheid daarvan om 'n Moslem-vrou te wees, leen hom daartoe om my Moslem-identiteit met betrekking tot die Midde-Ooste te bevraagteken, en as 'n Suid-Afrikaanse Moslem-vrou, hoe temas soos geslag, materialiteit, intertekstualiteit, en my persoonlike ervarings my kunspraktyk beinvloed. My tesis gebruik outo-etnografie as 'n selfreflektiewe navorsingsmetode in die vorm van dagboekinskrywings om my kuns te motiveer. Hierdie persoonlike narratiewe vorm die grondslag vir 'n praktykgeleide materiele ondersoek na rituele en erfenisitems sodat ek my geloof beter kan verstaan. Masters 2022-03-11T18:59:55Z 2022-04-29T09:31:01Z 2022-03-11T18:59:55Z 2022-04-29T09:31:01Z 2022-04 Thesis http://hdl.handle.net/10019.1/124757 en_ZA Stellenbosch University vii, 83 pages : illustrations application/pdf Stellenbosch : Stellenbosch University |
| spellingShingle | Muslim women -- Race identity Group identity Intersexuality -- South Africa Self knowledge, theory of Art -- Study and teaching -- South Africa Christianity -- Study and teaching -- South Africa UCTD Deaney, Rushda Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa. |
| title | Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa. |
| title_full | Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa. |
| title_fullStr | Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa. |
| title_full_unstemmed | Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa. |
| title_short | Processing self: negotiating the tensions of Muslim womanhood through art-making in South Africa. |
| title_sort | processing self negotiating the tensions of muslim womanhood through art making in south africa |
| topic | Muslim women -- Race identity Group identity Intersexuality -- South Africa Self knowledge, theory of Art -- Study and teaching -- South Africa Christianity -- Study and teaching -- South Africa UCTD |
| url | http://hdl.handle.net/10019.1/124757 |
| work_keys_str_mv | AT deaneyrushda processingselfnegotiatingthetensionsofmuslimwomanhoodthroughartmakinginsouthafrica |