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Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking
Thesis (MMus)--Stellenbosch University, 2022.
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| Format: | Thesis |
| Language: | af_ZA en_ZA |
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Stellenbosch : Stellenbosch University
2022
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| _version_ | 1867613911542398976 |
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| access_status_str | Open Access |
| author | Oosthuizen, John Ernst |
| author2 | Nell, Mario |
| author_browse | Nell, Mario Oosthuizen, John Ernst |
| author_facet | Nell, Mario Oosthuizen, John Ernst |
| author_sort | Oosthuizen, John Ernst |
| collection | Thesis |
| dc_rights_str_mv | Stellenbosch University |
| description | Thesis (MMus)--Stellenbosch University, 2022. |
| format | Thesis |
| id | oai:scholar.sun.ac.za:10019.1/124907 |
| institution | Stellenbosch University (South Africa) |
| language | af_ZA en_ZA |
| last_indexed | 2026-06-10T12:43:40.048Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Stellenbosch : Stellenbosch University |
| publisherStr | Stellenbosch : Stellenbosch University |
| record_format | dspace |
| source_str | SUNScholar — Stellenbosch University Repository |
| spelling | oai:scholar.sun.ac.za:10019.1/124907 Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking Oosthuizen, John Ernst Nell, Mario Stellenbosch University. Faculty of Arts & Social Sciences. Dept. of Music. Performance practice (Music) Organ (Musical instrument) -- France Organ (Musical instrument) -- History Eclectic organ Historically informed performance (Music) Organ pipes Historically-informed performance practice Symphonies (Organ) -- History UCTD Thesis (MMus)--Stellenbosch University, 2022. ENGLISH ABSTRACT: The interpretation of French romantic organ symphonies on eclectic concert hall organs with a mechanical action requires informed decisions regarding registration and playing technique, with due consideration for the acoustic qualities of the concert hall. The composers of these organ symphonies provided detailed indications in the scores that refer specifically to the unique sound and playing characteristics of the French Cavaillé-Coll organs. These instruments are, however, typically not found in the concert halls where this repertoire is commonly performed. The general tendency with the installation of concert hall organs is to build eclectic organs that accommodate the repertoires of all national and period styles. The literature study reveals a shortage of guidelines for the performance of the French romantic organ symphonies on eclectic organs. The composer indications in the scores refer to the dispositions and designs of Cavaillé-Coll organs and are, therefore, not directly applicable to eclectic organs. A study of the historic development and general features of Cavaillé-Coll organs is conducted to understand their French organ dispositions, sound concepts and ‘mechanical-pneumatic’ playing actions. To fit within the parameters, the study was scoped to include only the French romantic organ symphonies of Félix-Alexandre Guilmant (1837-1911), Charles-Marie Widor (1844-1937) and Louis Vierne (1870-1937). The performance indications of these composers generally refer to 3-manual Cavaillé-Coll organs, and for this reason, only 3-manual eclectic organs were considered. Three South African 3-manual eclectic concert hall organs were selected as prototypes for the study. These organs are installed at academic institutions, each of which offers organ tuition, and concerts are hosted on a regular basis. The scores of the organ symphonies contain composer indications for dynamics, articulation, phrasing, character as well as tempo. These indications are scrutinised, as well as the overall multi-movement and individual structures of the various movement types. The objective of guidelines is not to directly imitate the French organ sounds, but rather to render the French Romantic organ style using appropriate and informed playing techniques and registration. Differences between Cavaillé-Coll organs and eclectic organs in the areas of key action and disposition are considered in discussions about touch, articulation, tempo, phrasing and registration. The acoustic qualities of the concert halls that house the eclectic organs are also considered. Organists can apply and adapt the guidelines provided in this study to the characteristics of the specific eclectic organs where the works are performed. AFRIKAANSE OPSOMMING: Die uitvoering van Frans-romantiese orrelsimfonieë op eklektiese konsertsaal-orrels met meganiese speel-aksie behels ingeligte keuses met betrekking tot beide registrasie en speeltegniek, met inagneming van die akoestiese eienskappe van die konsertsaal. Die komponiste van hierdie orrelsimfonieë het gedetailleerde uitvoer-aanduidings in hul partiture aangebring wat spesifiek verwys na die unieke klank- en speel-eienskappe van Franse Cavaillé- Coll-orrels. Hierdie orrels word egter nie gereeld aangetref in konsertsale waar hierdie repertorium hoofsaaklik uitgevoer word nie. Die algemene tendens by die installasie van orrels in konsertsale is om eklektiese orrels te bou waarop die repertorium van alle nasionale style en styltydperke uitgevoer kan word. Die literatuurstudie onthul ‘n gebrek aan riglyne vir die uitvoering van die Frans-romantiese orrelsimfonieë op eklektiese orrels. Die komponis-aanduidings in die notetekste van die orrelsimfonieë verwys na die disposisies en ontwerp van Cavaillé-Coll-orrels, en kan dus nie direk op eklektiese orrels toegepas word nie. Die historiese ontwikkeling van Cavaillé-Coll- orrels word bestudeer om meer insig in disposisies, klankkonsepte asook die ‘meganies- pneumatiese’ speel-aksie van hierdie orrels te hê. Die Frans-romantiese orrelsimfonieë van Félix-Alexandre Guilmant (1837-1911), Charles- Marie Widor (1844-1937) asook Louis Vierne (1870-1937) is by die studie ingesluit. Aangesien hierdie komponiste se aanduidings in die notetekste van die orrelsimfonieë meestal na Cavaillé-Coll-orrels met drie manuale verwys, was dit sinvol om die studie te beperk tot 3- manuaal eklektiese orrels. Drie Suid-Afrikaanse eklektiese konsertsaal-orrels is geselekteer as prototipes vir die studie. Die notetekste van die orrelsimfonieë bevat komponis-aanduidings vir dinamiek, artikulasie, frasering, karakter asook tempo. Hierdie aanduidings word bestudeer, sowel as die oorkoepelende asook individuele strukture van die verskeie beweging-tipes. Die doel van riglyne is nie om die Frans klanke presies na te boots nie, maar om die Frans-romantiese orrelstyl op eklektiese orrels te weerspieël deur toepaslike en ingeligte speeltegniek en registrasie. Verskille tussen Cavaillé-Coll-orrels en eklektiese orrels, wat speel-aksie sowel as disposisie betref, word in ag geneem in die besprekings oor aanslag, artikulasie, tempo, frasering en registrasie. Die akoestiese ruimtes van die konsertsale wat die eklektiese orrels huisves, word ook in ag geneem. Orreliste kan hierdie riglyne toepas en aanpas volgens die eienskappe van spesifieke eklektiese orrels waar die werke uitgevoer word. Masters 2022-03-08T18:56:54Z 2022-04-29T09:40:28Z 2022-03-08T18:56:54Z 2022-04-29T09:40:28Z 2022-03 Thesis http://hdl.handle.net/10019.1/124907 af_ZA en_ZA Stellenbosch University xii, 160 pages application/pdf Stellenbosch : Stellenbosch University |
| spellingShingle | Performance practice (Music) Organ (Musical instrument) -- France Organ (Musical instrument) -- History Eclectic organ Historically informed performance (Music) Organ pipes Historically-informed performance practice Symphonies (Organ) -- History UCTD Oosthuizen, John Ernst Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking |
| title | Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking |
| title_full | Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking |
| title_fullStr | Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking |
| title_full_unstemmed | Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking |
| title_short | Die uitvoering van Frans-Romantiese orrelsimfoniee op eklektiese orrels: histories-ingeligte riglyne vir vertolking |
| title_sort | die uitvoering van frans romantiese orrelsimfoniee op eklektiese orrels histories ingeligte riglyne vir vertolking |
| topic | Performance practice (Music) Organ (Musical instrument) -- France Organ (Musical instrument) -- History Eclectic organ Historically informed performance (Music) Organ pipes Historically-informed performance practice Symphonies (Organ) -- History UCTD |
| url | http://hdl.handle.net/10019.1/124907 |
| work_keys_str_mv | AT oosthuizenjohnernst dieuitvoeringvanfransromantieseorrelsimfonieeopeklektieseorrelshistoriesingeligteriglynevirvertolking |