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Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel
Thesis (MA)--Stellenbosch University, 2022.
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| Format: | Thesis |
| Language: | af_ZA |
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Stellenbosch : Stellenbosch University
2022
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| _version_ | 1867614036245348352 |
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| access_status_str | Open Access |
| author | Van Eeden, Marguerite |
| author2 | Du Preez, Petrus |
| author_browse | Du Preez, Petrus Van Eeden, Marguerite |
| author_facet | Du Preez, Petrus Van Eeden, Marguerite |
| author_sort | Van Eeden, Marguerite |
| collection | Thesis |
| dc_rights_str_mv | Stellenbosch University |
| description | Thesis (MA)--Stellenbosch University, 2022. |
| format | Thesis |
| id | oai:scholar.sun.ac.za:10019.1/124965 |
| institution | Stellenbosch University (South Africa) |
| language | af_ZA |
| last_indexed | 2026-06-10T12:45:38.927Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Stellenbosch : Stellenbosch University |
| publisherStr | Stellenbosch : Stellenbosch University |
| record_format | dspace |
| source_str | SUNScholar — Stellenbosch University Repository |
| spelling | oai:scholar.sun.ac.za:10019.1/124965 Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel Van Eeden, Marguerite Du Preez, Petrus Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Drama. Political satire, South African -- History and criticism Uys, Pieter-Dirk -- Criticism and interpretation South Africa -- Politics and government -- Humor Nataniel -- Criticism and interpretation Comedians -- South Africa South African wit and humor UCTD Thesis (MA)--Stellenbosch University, 2022. ENGLISH ABSTRACT: This study investigates Pieter-Dirk Uys and Nataniël as two theatre practitioners that used characteristics of satire, cabaret, and the creation of marginalised characters to deliver social and political commentary on apartheid. Satire, comedy, and certain characteristics of cabaret are used as a point of departure for the theoretical framework of this study to further analyse four specific plays created by Pieter-Dirk Uys and Nataniël. Farce About Uys and Adapt or Dye are discussed with regards to Pieter-Dirk Uys’s use of satire, cabaret, and the creation of marginalised characters to protest apartheid. A discussion of Nataniëls plays, Dancing with John and White Soul, are discussed with reference to Nataniël’s use of satire, cabaret, and the creation of marginalised characters to protest apartheid. The thesis concludes that both PieterDirk Uys and Nataniël used satire and cabaret to protest apartheid and further that in each of the four aforementioned plays both Pieter-Dirk Uys and Nataniël created marginalised characters to protest social and political issues during apartheid. AFRIKAANSE OPSOMMING: Die studie ondersoek Pieter-Dirk Uys en Nataniël se gebruik van satire, kabaret en die skepping van gemarginaliseerde karakters om sosiale en politieke kommentaar op apartheid te lewer. Satire, komedie en die eienskappe van kabaret word as ‘n teoretiese raamwerk gebruik om die gekose werke van Pieter-Dirk Uys en Nataniël in daaropvolgende afdelings te bespreek. Vervolgens word Pieter-Dirk Uys se gebruik van satire, kabaret en sy gebruik van gemarginaliseerde karakters in twee onderskeidelike toneelstukke, Farce About Uys en Adapt or Dye bespreek. Nataniël se gebruik van satire en kabaret, asook sy skepping van gemarginaliseerde karakters in twee van sy toneelstukke, Dancing with John en White Soul volg die bespreking van Uys se werk op. Ten slotte bevind die tesis dat Pieter-Dirk Uys en Nataniël satire en kabaret gebruik het om apartheid te protesteer, In elk van die vier toneelstukke wat bespreek is, is gemarginaliseerde karakters gebruik om verdere sosiale en politieke kwessies van apartheid te protesteer. Masters 2022-03-08T21:17:56Z 2022-04-29T09:43:52Z 2022-03-08T21:17:56Z 2022-04-29T09:43:52Z 2022-03 Thesis http://hdl.handle.net/10019.1/124965 af_ZA Stellenbosch University 129 pages application/pdf Stellenbosch : Stellenbosch University |
| spellingShingle | Political satire, South African -- History and criticism Uys, Pieter-Dirk -- Criticism and interpretation South Africa -- Politics and government -- Humor Nataniel -- Criticism and interpretation Comedians -- South Africa South African wit and humor UCTD Van Eeden, Marguerite Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel |
| title | Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel |
| title_full | Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel |
| title_fullStr | Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel |
| title_full_unstemmed | Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel |
| title_short | Randfigure as middels vir sosiale kommentaar in enkele werke van Pieter-Dirk Uys en Nataniel |
| title_sort | randfigure as middels vir sosiale kommentaar in enkele werke van pieter dirk uys en nataniel |
| topic | Political satire, South African -- History and criticism Uys, Pieter-Dirk -- Criticism and interpretation South Africa -- Politics and government -- Humor Nataniel -- Criticism and interpretation Comedians -- South Africa South African wit and humor UCTD |
| url | http://hdl.handle.net/10019.1/124965 |
| work_keys_str_mv | AT vaneedenmarguerite randfigureasmiddelsvirsosialekommentaarinenkelewerkevanpieterdirkuysennataniel |