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Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop
Thesis (MA)--Stellenbosch University, 2026.
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| Format: | Thesis |
| Language: | af_ZA |
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Stellenbosch : Stellenbosch University
2026
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| _version_ | 1869484184798494720 |
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| access_status_str | Open Access |
| author | Harmse, Natasha |
| author2 | Schaffer, Alfred |
| author_browse | Harmse, Natasha Schaffer, Alfred |
| author_facet | Schaffer, Alfred Harmse, Natasha |
| author_sort | Harmse, Natasha |
| collection | Thesis |
| dc_rights_str_mv | Stellenbosch University |
| description | Thesis (MA)--Stellenbosch University, 2026. |
| format | Thesis |
| id | oai:scholar.sun.ac.za:10019.1/136055 |
| institution | Stellenbosch University (South Africa) |
| language | af_ZA |
| last_indexed | 2026-07-01T04:10:51.937Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | Stellenbosch : Stellenbosch University |
| publisherStr | Stellenbosch : Stellenbosch University |
| record_format | dspace |
| source_str | SUNScholar — Stellenbosch University Repository |
| spelling | oai:scholar.sun.ac.za:10019.1/136055 Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop Harmse, Natasha Schaffer, Alfred Anker, Willem Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Afrikaans and Dutch. Afrikaans poetry -- 20th century -- History and criticism Ethics in literature Symbolism in literature Afrikaans poetry -- 21st century -- History and criticism Other (Philosophy) in literature Komas uit 'n bamboesstok -- Criticism and interpretation Lady Anne -- Criticism and interpretation Objectivity in literature UCTD Thesis (MA)--Stellenbosch University, 2026. Harmse, N. 2026. Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop. Unpublished masters thesis. Stellenbosch: Stellenbosch University [online]. Available: https://scholar.sun.ac.za/items/2ab45597-59ad-4e9a-aaaa-c8143e21aabc ENGLISH ABSTRACT: This study is centred on the object correlate as a poetic technique as well as the ethics of writing about the Other in three Afrikaans poetry collections: DJ Opperman’s Komas uit ʼn bamboesstok (1979), Antjie Krog’s Lady Anne (1989) and Jolyn Phillips’s bientang (2020). The theoretical framework firstly includes New Criticism, especially the concept of “the object correlate” as initially established by TS Eliot, as well as Martinus Nijhoff’s and DJ Opperman’s reactions to and expansion of the concept. Secondly, it draws on the philosophy of Emmanuel Levinas and his work on the ethics of the Other, with specific reference to the radical unknowability of the Other, the face of the Other, and the ethical responsibility of the self towards the Other. The object correlate is used as a tool to conduct analyses of poems in the three collections. The purpose of this is to gain insight into the nature of the relationship between the various poetic speakers and the historical figures with whom each identifies. These three analyses are then compared with each other through the lens of Levinas’s ethics of the Other and conclusions are drawn about the ethical implications of writing about an Other in each of the three volumes. AFRIKAANSE OPSOMMING: Hierdie studie handel oor die objekkorrelaat as poëtiese tegniek en die etiek van skryf oor die Ander in drie Afrikaanse digbundels: DJ Opperman se Komas uit ʼn bamboesstok (1979), Antjie Krog se Lady Anne (1989) en Jolyn Phillips se bientang (2020).Die teoretiese raamwerk sluit eerstens die New Criticism in, veral die begrip “die objekkorrelaat”, soos dit aanvanklik deur TS Eliot daargestel is, sowel as Martinus Nijhoff en DJ Opperman se reaksies op en uitbreiding van die begrip. Tweedens word daar gebruik gemaak van die filosofie van Emmanuel Levinas en sy werk oor die etiek van die Ander, met spesifeke verwysing na die radikale onkenbaarheid van die Ander, die gesig van die Ander en die etiese verantwoordelikheid van die self teenoor die Ander. Die objekkorrelaat word as instrument ingespan om analises van gedigte in die drie bundels uit te voer. Die doel hiervan is om insig te verkry in die aard van die verhouding tussen die onderskeie digter-sprekers en die historiese figure waarmee elk identifiseer. Hierdie drie analises word dan met mekaar vergelyk deur die lens van Levinas se etiek van die Ander en gevolgtrekkings word gemaak oor die etiese implikasies van die skryf oor ʼn Ander in elkeen van die drie bundels. Masters 2026-04-21T10:14:35Z 2026-04-21T10:14:35Z 2026-03 Thesis https://scholar.sun.ac.za/handle/10019.1/136055 af_ZA Stellenbosch University 121 pages : illustrations application/pdf Stellenbosch : Stellenbosch University |
| spellingShingle | Afrikaans poetry -- 20th century -- History and criticism Ethics in literature Symbolism in literature Afrikaans poetry -- 21st century -- History and criticism Other (Philosophy) in literature Komas uit 'n bamboesstok -- Criticism and interpretation Lady Anne -- Criticism and interpretation Objectivity in literature UCTD Harmse, Natasha Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop |
| title | Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop |
| title_full | Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop |
| title_fullStr | Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop |
| title_full_unstemmed | Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop |
| title_short | Die objekkorrelaat as poëtiese tegniek en die etiek van self en Ander in Opperman se Komas uit ʼn bamboesstok (1979), Krog se Lady Anne (1989) en Phillips se bientang (2020) en Wolwekop |
| title_sort | die objekkorrelaat as poetiese tegniek en die etiek van self en ander in opperman se komas uit n bamboesstok 1979 krog se lady anne 1989 en phillips se bientang 2020 en wolwekop |
| topic | Afrikaans poetry -- 20th century -- History and criticism Ethics in literature Symbolism in literature Afrikaans poetry -- 21st century -- History and criticism Other (Philosophy) in literature Komas uit 'n bamboesstok -- Criticism and interpretation Lady Anne -- Criticism and interpretation Objectivity in literature UCTD |
| url | https://scholar.sun.ac.za/handle/10019.1/136055 |
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