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Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI

Thesis (MA (Dept. of Ancient Studies) -- University of Stellenbosch, 2005.

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Bibliographic Details
Main Author: Swanepoel, Liani Colette
Other Authors: Malan, C. A.
Format: Thesis
Language:Afrikaans
Published: Stellenbosch : University of Stellenbosch 2008
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access_status_str Open Access
author Swanepoel, Liani Colette
author2 Malan, C. A.
author_browse Malan, C. A.
Swanepoel, Liani Colette
author_facet Malan, C. A.
Swanepoel, Liani Colette
author_sort Swanepoel, Liani Colette
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (MA (Dept. of Ancient Studies) -- University of Stellenbosch, 2005.
format Thesis
id oai:scholar.sun.ac.za:10019.1/1690
institution Stellenbosch University (South Africa)
language Afrikaans
last_indexed 2026-06-10T12:46:07.073Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2008
publishDateRange 2008
publishDateSort 2008
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/1690 Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI Swanepoel, Liani Colette Malan, C. A. Cornelius, I. University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Ancient Studies. Dissertations -- Ancient studies Theses -- Ancient studies Virgil Aeneis Illumination of books and manuscripts, Ancient Illustrated books Illustration of books -- Themes, motives Thesis (MA (Dept. of Ancient Studies) -- University of Stellenbosch, 2005. Throughout the centuries artists have visualised the imaginative works of Publius Vergilius Maro in a variety of art forms. Paintings, frescoes, sculptures and even tapestries have made the wordscenes of his great epic, the Aeneid, concrete. The thesis investigates only the illustration of the epic in manuscripts and printed texts or translations. The illustrations of scenes in Book VI – the journey of Aeneas in the underworld – are studied using the reception-historical approach. This is to determine whether the illustrations of the Trojan hero’s journey in the underworld reflect the reception of the Aeneid in the different eras or periods. The illustrator is a “reader” of the Aeneid text or translation and consequently his/her illustration of a particular scene reflects his/her own visual interpretation thereof. Illustrations of Book VI in manuscripts like the Vergilius Vaticanus of late Antiquity and the mid- 15th century Riccardiana Vergilius of Apollonio di Giovanni are examined. A study of illustrations in printed texts or translations range from the 1502 Grüninger edition of Vergil edited by Sebastian Brant to the Book VI illustration of Thom Kapheim in a textbook published in 2001. The aim is to establish how illustrators associated with Book VI, interpreted it, how their environment and the spirit of the age influenced their visualisation and how their illustrations reflect the reception of the epic throughout the centuries. Such a study hopes to provide a contribution to Vergilian reception and Nachleben. In the process a better understanding can be obtained for the importance and changing role of Aeneid VI and the whole epic in different eras. It is found that the illustrators of the Aeneid – influenced by the different spirit of their times and environments – brought forth unique visual interpretations of scenes in Book VI that suggest a particular reception of the epic at that specific point of time. The illustrative spectrum of Book VI throughout the centuries can be summarised as follows: revival, allegorisation, pedagogic, realistic decoration and eventually increasingly unrealistic decoration. From late Antiquity to the beginning of the 21st century, the illustrative visualisation of the journey of Aeneas in the underworld indicates that there has always been a definitive response to Vergil and his epic. Masters 2008-07-31T12:48:53Z 2010-06-01T08:30:48Z 2008-07-31T12:48:53Z 2010-06-01T08:30:48Z 2006-03 Thesis http://hdl.handle.net/10019.1/1690 af University of Stellenbosch application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Dissertations -- Ancient studies
Theses -- Ancient studies
Virgil
Aeneis
Illumination of books and manuscripts, Ancient
Illustrated books
Illustration of books -- Themes, motives
Swanepoel, Liani Colette
Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI
title Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI
title_full Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI
title_fullStr Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI
title_full_unstemmed Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI
title_short Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI
title_sort aeneas se onderwereldse reis in illustrasie n resepsie historiese studie van tonele in aeneis vi
topic Dissertations -- Ancient studies
Theses -- Ancient studies
Virgil
Aeneis
Illumination of books and manuscripts, Ancient
Illustrated books
Illustration of books -- Themes, motives
url http://hdl.handle.net/10019.1/1690
work_keys_str_mv AT swanepoellianicolette aeneasseonderwereldsereisinillustrasienresepsiehistoriesestudievantoneleinaeneisvi