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Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek

Thesis (MMus (Music))--University of Stellenbosch, 2009.

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Bibliographic Details
Main Author: Martens, Hester Susanna
Other Authors: Smit, M.
Format: Thesis
Language:Afrikaans
Published: Stellenbosch : University of Stellenbosch 2009
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access_status_str Open Access
author Martens, Hester Susanna
author2 Smit, M.
author_browse Martens, Hester Susanna
Smit, M.
author_facet Smit, M.
Martens, Hester Susanna
author_sort Martens, Hester Susanna
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (MMus (Music))--University of Stellenbosch, 2009.
format Thesis
id oai:scholar.sun.ac.za:10019.1/2525
institution Stellenbosch University (South Africa)
language Afrikaans
last_indexed 2026-06-10T12:43:59.926Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2009
publishDateRange 2009
publishDateSort 2009
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/2525 Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek Martens, Hester Susanna Smit, M. Grove, Izak University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Music. Violin music -- Analysis, appreciation Subject didactical Composers -- South Africa Compostion (Music) Dissertations -- Music Theses -- Music Hofmeyr, Hendrik. Luamerava Stephenson, Allan. Sonata on African Motives Grové, Stefans. Concertos, violin, orchestra Music Thesis (MMus (Music))--University of Stellenbosch, 2009. This study represents a contribution to the subject-didactical review of three prominent compositions for the violin by three prominent South African composers, namely the Sonata on African Motives by Stefans Grové (1985), Luamerava by Hendrik Hofmeyr (2000) and the Concerto for violin and orchestra by Allan Stephenson (2007). The three composers are discussed with reference to biographical detail and broad compositional style, while the works are reviewed according to musicological aspects as well as violin specific didactical aspects. To avoid too much repetition, a chapter concerning technical issues and practice methods pertaining to all three works was added. In the Sonata on African Motives, Stefans Grové merges his “old” compositional style, in this work loosely represented by a lack of tonality and metre, as well as complicated use of rhythm, with his “new” African voice (1984-). The African voice, represented by a melody he overheard a black roadworker sing, ties the work together. The sonata consists of five movements, with the first and fourth movements, and the third and fifth movements linked through content. This work presents challenging ensemble playing, rhythmic detail, diverse timbre changes in the violin part, as well as pitch difficulty due to unusual intervals without tonal context. Hendrik Hofmeyr‟s Luamerava was commissioned by SAMRO for the overseas scholarship. The title refers to the last of the mythical Children of the Lost Star who lived in the Cariba gorge on the banks of the Zambezi river (according to Mutwa‟s description of the oral culture of the people of that region). The piece, like the Grové, is thus linked to Africa. The work was composed for solo violin, Hofmeyr makes the most of the lyrical and sonorous qualities of the instrument. Compared to the other two works studied, Luamerava presents the most advanced technical challenges, with extensive doublestopping being the main challenge. Allan Stephenson‟s Concerto differs significantly from the other two works studied in the sense that it is instantly appealing to the general music lover, mainly because of his use of easy flowing melodies. The concerto has, as is tradition, three movements. Although the work contains ample technical challenges, it is obvious that it was composed by a string player – both the extensive running passages and double stopping are quite possible to play once good fingerings have been found. In the discussion of these works, attempts at solving specific technical problems are made. Masters 2009-02-24T10:35:44Z 2010-06-01T08:51:17Z 2009-02-24T10:35:44Z 2010-06-01T08:51:17Z 2009-03 Thesis http://hdl.handle.net/10019.1/2525 af University of Stellenbosch application/pdf application/pdf application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Violin music -- Analysis, appreciation
Subject didactical
Composers -- South Africa
Compostion (Music)
Dissertations -- Music
Theses -- Music
Hofmeyr, Hendrik. Luamerava
Stephenson, Allan. Sonata on African Motives
Grové, Stefans. Concertos, violin, orchestra
Music
Martens, Hester Susanna
Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek
title Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek
title_full Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek
title_fullStr Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek
title_full_unstemmed Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek
title_short Vakdidaktiese beskouing van geselekteerde Suid-Afrikaanse vioolmusiek
title_sort vakdidaktiese beskouing van geselekteerde suid afrikaanse vioolmusiek
topic Violin music -- Analysis, appreciation
Subject didactical
Composers -- South Africa
Compostion (Music)
Dissertations -- Music
Theses -- Music
Hofmeyr, Hendrik. Luamerava
Stephenson, Allan. Sonata on African Motives
Grové, Stefans. Concertos, violin, orchestra
Music
url http://hdl.handle.net/10019.1/2525
work_keys_str_mv AT martenshestersusanna vakdidaktiesebeskouingvangeselekteerdesuidafrikaansevioolmusiek