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'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks

Thesis (MA(VA))--Stellenbosch University, 2014.

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Main Author: Cronje, Daniel Christiaan
Other Authors: Costandius, Elmarie
Format: Thesis
Language:Afrikaans
Published: Stellenbosch : Stellenbosch University 2015
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access_status_str Open Access
author Cronje, Daniel Christiaan
author2 Costandius, Elmarie
author_browse Costandius, Elmarie
Cronje, Daniel Christiaan
author_facet Costandius, Elmarie
Cronje, Daniel Christiaan
author_sort Cronje, Daniel Christiaan
collection Thesis
dc_rights_str_mv Stellenbosch University
description Thesis (MA(VA))--Stellenbosch University, 2014.
format Thesis
id oai:scholar.sun.ac.za:10019.1/96121
institution Stellenbosch University (South Africa)
language Afrikaans
last_indexed 2026-06-10T12:40:55.520Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Stellenbosch : Stellenbosch University
publisherStr Stellenbosch : Stellenbosch University
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/96121 'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks Cronje, Daniel Christiaan Costandius, Elmarie Perold, Karolien Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Visual Arts. Art -- South Africa -- Study and teaching Art -- Curricula Dissertations -- Visual arts Theses -- Visual arts Dissertations -- Art Theses -- Art Thesis (MA(VA))--Stellenbosch University, 2014. ENGLISH ABSTRACT: The gap between the theoretical and practical aspects of art education is a trend that is discussed and investigated in both the South African and the global context. In 2009, I found that my students at Elkanah House were not doing particularly well academically, and that they displayed a negative attitude towards the theoretical component of Visual Arts. This is not a unique phenomenon. Steers (2009) refers to the gap between theoretical and practical components in his article on globalisation in visual culture. According to Steers, a gap developed in various educational settings between the content and how it is practically carried out in the orthodox school curriculum. In addition, the publications Art Education and Art Education Journal issued a call for articles on the same topic in 2013. To address the problem, I systematically developed an art curriculum from grade 10 based on the praxis of the theoretical and practical components of teaching art at my school from 2010 onwards. This curriculum includes the following: 1) experiential learning and alternative learning perspectives; 2) critical and reflective thinking; 3) development of theory through practical investigations and experiences; 4) somatic knowledge, qualitative reasoning and communicative knowledge; 5) material thinking, learning through the use of materials and body; 6) cohesive discovery of knowledge; and 7) citizenship development. The purpose of the present study was to investigate how students experienced an art curriculum that integrated theory and practice through various projects. The investigation was based on an empirical research method utilizsing a qualitative approach and a case study design. In the research, a combination of themes including various learning theories in the process of experiential learning; development of critical thinking and reflection; development of critical citizenship education; and praxis as a concept in an art curriculum were examined to narrow the gap between the theoretical and practical components of Visual Arts. The results of the research indicated that the students’ academic performance improved and aspects of critical reflective thinking, critical citizenship and awareness of the wider context in which students find themselves had also been enhanced. AFRIKAANSE OPSOMMING: Die gaping tussen teoretiese en praktiese komponente in kunsonderwys is ʼn tendens wat in beide Suid-Afrikaanse en globale kontekste bespreek en ondersoek word. In 2009 het ek gevind dat my studente by Elkanah House nie akademies goed vaar nie, en ook ʼn negatiewe houding teenoor die teoretiese komponent van Visuele Kunste toon. Dit is nie ʼn unieke tendens nie. Steers (2009) verwys in sy artikel oor globalisering in visuele kultuur na die gaping wat tussen die teorie en die praktyk ontstaan het. Volgens Steers het daar in die ortodokse skool kurrikulum ‘n gaping in verskeie onderwyssituasies ontwikkel tussen die inhoud en dit wat prakties uitgevoer word. Die publikasies Art Education en Art Education Journal het ook in 2013 ʼn beroep gedoen vir artikels oor dieselfde onderwerp. Ek het in 2010 ʼn kunskurrikulum met praksis van die teoretiese en praktiese komponente stelselmatig vanaf graad 10 ontwikkel om die probleem van skeiding tussen teorie en prakties by die skool waar ek klasgee aan te spreek. Hierdie kurrikulum het die volgende ingesluit: 1) ervaringsleer en alternatiewe leerperspektiewe; 2) kritiese en reflektiewe denke; 3) ontwikkeling van teorie deur praktiese ondersoeke en ervaringe; 4) somatiese kennis, kwalitatiewe redenering en kommunikatiewe weet; 5) materiaal-gebaseerde denke, leer deur gebruik te maak van materiale en liggaam; 6) samehangende ontdekking van kennis; en 7) burgerskapontwikkeling. Die doel van hierdie studie was om ‘n ondersoek te doen na hoe studente die bogenoemde kunskurrikulum vir die integrasie van teorie en prakties deur verskeie projekte ervaar het. Die ondersoek was gebaseer op ʼn empiriese navorsingsmetode deur gebruik te maak van ʼn kwalitatiewe benadering en ʼn gevallestudie-ontwerp. Temas soos die verbetering van motivering; invloede op die vak Visuele Kunste en ander vakgebiede; groter bewuswording van plek in die gemeenskap en aanpassing van onderrigstyl deur die fasiliteerder is in die ondersoek geïdentifiseer. Die resultate van die navorsing het aangedui dat studente se akademiese prestasie nie net verbeter het nie, maar dat aspekte van kritiese reflektiewe denke, kritiese burgerskap, asook bewuswording van die breër konteks waarin die kunsstudente hulself bevind, verbreed is. Masters 2015-01-13T11:50:35Z 2015-01-13T11:50:35Z 2014-12 Thesis http://hdl.handle.net/10019.1/96121 af Stellenbosch University 82 p. : ill. application/pdf Stellenbosch : Stellenbosch University
spellingShingle Art -- South Africa -- Study and teaching
Art -- Curricula
Dissertations -- Visual arts
Theses -- Visual arts
Dissertations -- Art
Theses -- Art
Cronje, Daniel Christiaan
'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks
title 'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks
title_full 'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks
title_fullStr 'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks
title_full_unstemmed 'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks
title_short 'n Ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van Visuele Kunste in 'n Suid-Afrikaanse hoerskoolkonteks
title_sort n ondersoek na integrasie van teoretiese en praktiese komponente in die onderrig van visuele kunste in n suid afrikaanse hoerskoolkonteks
topic Art -- South Africa -- Study and teaching
Art -- Curricula
Dissertations -- Visual arts
Theses -- Visual arts
Dissertations -- Art
Theses -- Art
url http://hdl.handle.net/10019.1/96121
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